Фукс, Даниэл (Daniel Fuchs). Fuks — энциклопедия

Анатолий Фукс — личный сайт


Премия Академии статуэтка «Оскар»

Daniel Fuchs

(25.06.1909, Манхэттен — 26.07.1993, Лос-Анжелес)

американский сценарист, писатель-фантаст и публицист


Автор трилогии «Бруклинские романы», сборника рассказов и эссе (э) «Золотой Запад: Голливудские (г) истории». Печатался в «Нью-Йоркере». В 1955 году Фукс за оригинальный сюжет фильма «Люби меня или покинь меня» стал лауреатом премии американской киноакадемии «Оскар».


From Wikipedia, the free encyclopedia

Daniel Fuchs (June 25, 1909 – July 26, 1993) was an American screenwriter, fiction writer, and essayist.


Daniel Fuchs was born in the Lower East Side, Manhattan, but his family migrated to Williamsburg, Brooklyn while Fuchs was an infant. He wrote three early novels, published by the Vanguard PressSummer in Williamsburg (1934), Homage to Blenholt (1936), and Low Company (1937). The earlier two of these depicted Jewish life in Williamsburg; the last focused on various ethnic types in Brighton Beach. A single-volume edition of these was published by Basic Books in 1965 under the title "Three Novels." Subsequent one-volume editions include The Brooklyn Novels, with an introduction by the novelist Jonathan Lethem, published in 2006 by Black Sparrow Books, an imprint of David R. Godine, Publisher.

Homage to Blenholt concerns a well-meaning tenement schlemiel who hopes to escape poverty via various inventions and get-rich quick schemes. Fuchs also wrote short stories and personal essays, mainly for The New Yorker. When he was 26, he moved to Los Angeles, California to work on films.

Fuchs wrote the screenplay for the crime noir Criss Cross (1949). He also penned the psychodrama Panic in the Streets (1950), which was directed by Elia Kazan. In 1995, Criss Cross was remade as The Underneath by director Steven Soderbergh, with credit given to Fuchs. Love Me or Leave Me, a biopic about the torch singer Ruth Etting, which won Fuchs an Oscar for Best Story in 1955, featured a performance by James Cagney in the role of a Chicago hoodlum and Doris Day as the beleaguered songstress.

Fuchs' short Hollywood novel, "West of the Rockies," was published in 1971, and in 1979 appeared a collection of mostly earlier-written short stories, "The Apathetic Bookie Joint." The Golden West: Hollywood Stories, a collection of Fuchs's fiction and essays about Hollywood, was published in 2005 by Black Sparrow Books.

Fuchs died in Los Angeles.


Irving Howe wrote of Fuchs for Commentary Magazine in 1948 that "he showed such a rich gift for fictional portraiture of Jewish life in the American city that, given sustained work and growth of mind, he might have written its still-uncreated comedie humaine. After reading Fuchs' work one wonders: What was the source of his talent and the cause of his silence, and, perhaps more important, what was the relationship between his talent and his silence?"

John Updike has been quoted as saying, "Nobody else writes like Daniel Fuchs. I think of him as a natural—a poet who never had to strain after a poetic effect, a magician who made magic look almost too easy."



Fuchs published with the Viking Press via the Maxim Lieber Literary Agency; Elizabeth Nowell (who later became Thomas Wolfe's exclusive agent) handled him.

  • Summer in Williamsburg (1934)
  • Homage to Blenholt (1936)
  • Low Company (1937)
  • Three Novels (1965): omnibus of earlier novels



  1. http://lccn.loc.gov/2006023170
  2. "The fate of Talent In America" Commentary Magazine
  3. (New Yorker Magazine, 1971; cf. Updikes', 'Picked-Up Pieces', 1975)
  4. Kennedy (editor), Richard S. (1983). Beyond love and loyalty: the letters of Thomas Wolfe and Elizabeth Nowell. University of North Carolina Press Books. pp. xii. ISBN 978-0807815458.

External links




Афиша фильма «Люби меня или покинь меня»



ГОЛЛИВУД, один, из пригородов г. Лос-Анжелос (США), где сосредоточено св. 90% амер. киноиндустрии. Центр реакц. амер. кинопропаганды, непосредственно связанный с правящей верхушкой Уолл-стрита. Г. наводнил США, а также кинорынки др. бурж. стран реакционной и пошлой стандартной продукцией. Фильмы Г. служат целям империалистич. пропаганды, разжигания воен. психоза, вражды к Советскому Союзу и странам народной демократии, культивируют бандитизм и уголовщину. Монополистич. капитал США ожесточённо преследует передовых творческих киноработников Г., встающих на защиту мира и демократии.

Энциклопедический Словарь. 1953—1955


ГОЛЛИВУД (Холливуд) (Hollywood), р-н Лос-Анжелеса, где до 50-хгг. была сосредоточена  осн. часть амер. кинопромышленности. В 60—70-е гг. потерял своё значение как центр кинематографии США.

ЭССЕ (франц. essai — опыт, набросок), жанр филос., эстетич., лит.-критич., худ., публистич. лит-ры, сочетающий подчёркнуто индивидуальную позицию автора с непринуждённым, часто парадоксальным изложением, ориентированным на разг. речь (основатель жанра — М. Монтень; в рус. лит-ре образцы в «Дневнике  писателя» Ф. М. Достоевского).

Советский Энциклопедический Словарь. 1980


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